![]() ![]() It was just that music took off first.Īcting is very much a hurry-up-and-wait job. I did indie movies and commercials while also working on music. Growing up I put on plays and concerts for my family. Were you always interested in acting in addition to music? It’s very much like that in an audition or on a set – there are fewer people but the same pressure and you still have to just go do it. I was on stage with Prince in front of 50,000 people and you just have to go out and let it flow. Those two things continue influencing me today, in music but also on a TV set. The other thing I learned from him was that when it’s go-time, in the studio or on stage, you show up 110 percent. I got to see his unencumbered artistry – he had an ability to get out of the way and let things flow and not be too precious, while still having a reverence and respect for the art. How did playing and recording with Prince influence you? How did you go from an unknown musician to a member of Prince’s band? ![]() This interview has been edited for length and clarity. The show is a comedy but it also has plenty to say about technology and the inequality in wealth and political power between classes in America.Īllo spoke by video recently about working with Prince, about finding the right tone for Nora, and about whether she would upload given the chance. Season two begins with Nora on the run, joining a group of activist rebels called the Ludds, who live in the forest and live off the land as they plot to take down the forces behind the upload technology. Nora who worked as an “angel” (customer service rep) for wealthy Afterlife patrons fell into a budding – but virtual – romance with Nathan (Robbie Arnell) and then into a dangerous – and real life – power play by Nathan’s enemies that nearly got her killed. The first season of “Upload” introduced viewers to a near-future world where people can, instead of dying, be uploaded to a virtual reality, where they can live quite lavishly… as long as someone living is covering the bills. ![]()
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